Sheltered is a perfectly lovely nasty piece of work, a "pre-apocalyptic tale" about all the horrible things people do in preparation for the end of it all. I enjoyed Sheltered immensely, but the first collection (which collects 1-5 of the ongoing comic) has an expectant, waiting quality about it, unfinished, almost unstarted. This dovetails beautifully into the themes of the comic: all of the potential of adolescence untapped and unstable, and how that adolescence slowly, choice by choice, resolves into dreary, irrevocable adulthood. Boo yah.
Sheltered first introduces us to Victoria and her father David. They're newish members to the prepper community of Safe Haven, which lives somewhere in the hinterlands of Montana. Vic's not altogether happy with her new digs, hanging out with Hailey, another teen girl who has been in the community much longer. "At this point I'd kill for a mall," Vic says ruefully, sitting in a deer blind with a flask. "I hate malls. That's how desperate I am for any sense of normality." Her dad -- an engineer of some stripe -- talks shop with the other adults, obviously not quite with the whole prepper community ethos. There's a pretty wonderful conversation about pulling permits, which I admit might not resonate for other readers who do not have a contractor's license.
After the slow pan of the first installment, rolling over the bunkers and principals, we get to it: blank-eyed teenage psycho Lucas somehow gets all the other kids to rise up and kill their parents. The supervolcano over Yellowstone is going to erupt soon, within days -- according to Lucas -- and the food won't last the three years necessary to survive the nuclear winter with all the adults alive. Hard times call for hard choices. Lucas's motivations aren't lingered on, nor are we given much in the ways of his persuasive arguments for doing this.
I thought about this narrative choice for a long while. It could easily be seen as cheating, rushing this hard to imagine brutality; bang, blood in the snow. But I thought it worked, in the end: this unexplained outbreak of violence in a community that has been preparing for a more explicable outbreak of violence. Plus, I dunno, I like the irony of a community preparing for the worst not being prepared for the very worst. Other than the newcomer Victoria, I get the impression that these kids have been raised with a shadow of doom their whole lives, the constant expectation of violence, and I can almost feel the relief when it arrives. Boom. Here's your apocalypse.
Some of the mid sections are a little slack, with maybe not the best sense of place. Victoria and Hailey are bunkered down somewhere on the campus, Hailey injured, and I couldn't quite tell you where there building was in relationship to others. Lucas makes a lot of terrible choices, and tends to respond to even perceived threats to his leadership with violence and cruelty. It works. He's got the shiny blondness of a cult leader, but he's still a kid. He's marshaled his charisma to get the other kids to commit this unspeakable act, but he's not mature enough or wily enough to manage their grief and guilt. What if you were wrong? What then?
There's a great sequence where Lucas mansplains to another boy about how he should stop hanging out with a girl because we can't have any pregnancies and we all have to think about group morale etc etc. His mansplaination goes on waaaay too long, long enough for the other guy to be like, geesh, lay off already, mom, I was just talking. It's hard to pin Lucas's motivations here: maybe he believes what he's saying, but maybe he's also jealous and frustrated that he hasn't got any easy joking friendships. He's clearly cut himself into the loner leader role intentionally, but intentions at that age are mutable and jumpy. When he can't admit he's wrong -- and he really never can, given the stakes -- his only recourse is to double down.
The end of the last installment ends with a truck pulling up, the tall figure of a man flicking his cigarette off into the snow. "Hey kid," he says to Lucas. "Your parents around?" Boy howdy, they are not. There's been a lot of scrabbling and missteps by Lucas up to this point, and it's going to be interesting to see where this situation goes. On some level, a new grown up threat is what Lucas needs, given that the younger kids -- like the foul-mouthed little shit Curt -- have been acting like kids without parents. (Or even acting like kids with parents, because impulse control is low, parents or not.) If he can cow them into submission with another threat, he might be able to keep this crapshow going long enough for the supervolcano to blow. That's the American way, after all.